IHME Helsinki 2023

Stories

At the private rehearsals an interesting group of people willing to share their knowledge and skills with the group form an amateur band that has conversations about neoliberalism, the environmental crisis, and everyday life, and consider how these are connected with each other? These stories are first shared between band members and then with the wider public at public rehearsals.

Music

The amateur band selects the music they will play, normally one piece of music per week, altogether six pieces during the project. This music is in some way – intuitively, emotionally or in its content – connected to the issues being discussed.

Mindmap

Relevant key issues and concepts are documented in a collective physical mindmap, which will tour with the band at different locations in the city. Band members are free to imagine what this mindmap will look like and in what ways to interact with it.

Rehearsing

The project is about continuous learning and spending time together. Each performing event in a public space is a rehearsal and involves multi-layered sharing between band and audience. There will be stories about the selection of the sites and venues where the public rehearsals will take place, stories about the selection or creation of the music that will be played, and stories by individual band members and the public about the themes of the project.

Snowball

The project grows like a snowball – there will be more stories and music, and participants, after each rehearsal, private and public. In the end, there will be a final last public rehearsal on Saturday 27 May at Stoa, sharing all the stories, music and joy of the project!

The role of the artist

Quote from Hiwa K :

The capitalistic system always tries to make you a ‘star’, and I say, no, I’m fine being a ‘half-moon’

It’s important to recognize that it’s not the artist who makes this project, but everyone taking part in the band. The artist will join in some of the meetings remotely from Kurdistan, Iraq, and he will join the band in Helsinki as one of its members in the last week of the project in May.

Who can join public rehearsals?

Anyone can come to the open rehearsals on Saturdays. You can come just to listen to the stories and the band practising, or bring your own instrument and play with the band, or you can tell your own story on the themes of the project. Further details of the public rehearsals – site or venue and time – will be posted on this website as the band decides which places the project will visit on Saturdays.

Links

Naomi Klein – The Shock Doctrine: The Rise of Disaster Capitalism / YouTube

Chicago Boys – While We Were Singing, They Were Dreaming was first carried out in 2010 at London’s Serpentine Gallery and has since been experienced in numerous key international art institutions. This brings together people from different backgrounds, everyday experiences of neoliberalism, the environmental crisis, and popular music. An open call for participants will be announced in January 2023.

“The idea of Chicago Boys as a 1970s Middle-East pop-music revival band and neoliberal study group developed over a period of months while I was researching on YouTube for documentaries about the Iraq War and its connection to neoliberalism and, during the same period, listening to the music of my childhood. The simultaneity of these events created a kind of connectivity between them that was important for me when trying to trace the reasons for the Second Gulf War and the recent harsh effects of the rapid implementation of both democracy and a neoliberal economy in Iraq. I found the lectures on the history of neoliberal economy by David Harvey and The Shock Doctrine by Naomi Klein to be crucial resources. They put me on the path to looking at previous models. The most significant being the way neoliberal reform was implemented after the coup in Chile under the dictator Augusto Pinochet in 1973 and the situation in Iraq under the US-appointed administrator Paul Bremer, who had vast power after 2003. The successful transformation of economies through political turmoil was clearly connected to the confusion caused by the war, dictatorship, and revolution,”

Hiwa K outlines his thoughts at the start of the project.

“The name Chicago Boys refers to a group of young Chilean economists who, after having studied with economist and “grandmaster” of free-market economic theory Milton Friedman at the University of Chicago, drove a neoliberal economic policy in Chile under the dictatorial regime of Pinochet in the 1970s. Chicago Boys – While We Were Singing, They Were Dreaming traces back the possible “affairs” (as Hiwa K puts it) between this first implementation of liberal economics and a number of parallel events happening at the time, such as the oil crisis and the US threat to attack Saudi Arabia. But one could also think of the Iraq War, a neoliberal project of more recent date. In addition, Chicago Boys tries to understand the weakening of the left that manifested at the turn of the 1970s into the 1980s in different parts of the globe; a political tendency one can currently witness. All these developments are reflected upon through the lens of cultural dynamics, particularly those in the popular music genre.Chicago Boys – While We Were Singing, They Were Dreaming is an ongoing, collective and transnational project that attempts to practice an alternative model for exploring the globalization process and its impact on our daily culture.”(Quote from Casco Art Institute)

Helsinki version of Chicago Boys emphasizes the issues of ecological sustainability linked to neoliberalism. Hiwa K’s IHME Helsinki 2023 work will be realized almost simultaneously in Helsinki and Sulaymaniyah, Iraqi Kurdistan in April-May 2023.

Hiwa K initiated Chicago Boys – While We Were Singing, They Were Dreaming project in London in 2010 and has since been performed in: Gdansk, Poland (2010) and  Nottingham, England; and has toured the Netherlands (2011); Sofia, Bulgaria, and Delme, France (2013); Amman, Jordan (2014); Bergen, Norway (2019); and Nida Art Colony, Lithuania (2020).

Hiwa K is an artist and musician living in Sulaymaniyah, Iraqi Kurdistan, to which he returned three years ago, after living in Germany for almost twenty years. There, he has acquired a farm and, together with local people, studies how to promote permaculture, i.e. how to live in harmony with the environment. Permaculture is a design method based on ecology, aimed at developing sustainable systems by imitating natural processes and utilizing them to meet the needs of the individual, of human communities and of the Earth equally, in the short and long term. These systems can, for example, be related to the production of food and energy, housing, or the organization of economic activities.

Hiwa K graduated from High School in Iraq and continued his self-education by meeting various intellectuals, visual artists, musicians and theatre artists. The major topics of these informal, non-systematic studies were European literature and philosophy, which he learned from available books translated into Arabic. After moving to Germany at the age of 25, he studied music; specifically, he was a pupil of the Flamenco master Paco Peña.

Hiwa K’s works challenge normative ways of doing art by creating a possibility for vernacular forms and oral histories (Chicago Boys, 2011), modes of encounter (Cooking with Mama, 2006) and political situations (This lemon tastes of apple, 2011). The storehouse of his references consists of stories told by family members and friends, found situations, as well as everyday events.

His self-education has left a strong impression on his works, which are the result of a continual critique of the art-education system and the professionalization of art practice, as well as of the myth of the individual artist.

Consequently, many of his works are characterized by a strong collective, participatory dimension, and have to do with the process of teaching and with learning systems, and an insistence on the idea of obtaining knowledge from everyday experience rather than doctrine

Hiwa K has been involved in various collective exhibitions, such as La Triennale in Paris and the “Edgware Road Project” at the Serpentine Gallery in London. His Chicago Boys: While We Were Singing They Were Dreaming project is continually being hosted by important international institutions, such as: Alternativa Festival in Gdansk; CASCO, Utrecht; the Serpentine Gallery, London; New Museum, New York; MACRO, Rome; M HKA, Antwerp; and MUSAC, León. He participated in Manifesta 7 curated by Raqs Media Collective, New Museum in NY, and the 2015 Venice Biennale.

hiwak.net

“We chose Hiwa K to be the artist of the next commissioned work because the starting point for his art is the values he shares with IHME Helsinki: ecological and social sustainability; experiencing and doing things together; encouraging change; and creating change. After adapting to the pandemic, in our crisis-saturated world, many of us feel the need to get together, to get to know each other, and to listen to each other’s stories. Chicago Boys offers an opportunity for this by bringing people together to play the music of their choice in a small or large group: in addition to the core band, the audience, too, gets to join in band rehearsals,”

says Paula Toppila, Executive Director of IHME Helsinki, who also plans to dig her own guitar out of its case after a decades-long hiatus.

“In this cooperation with Hiwa, we are now experimenting for the second time with collaboration not only in Finland, but also locally in the artist’s home country. The first time, we decided to do this with the creator of IHME Helsinki 2022, the Indian artist Amar Kanwar. With Kanwar’s The Sovereign Forest art project, we are making it possible to carry it on in the province of Odisha, India, in 2023, after a two-year delay due to the pandemic. Together with Hiwa, we are realizing Chicago Boys for the first time in the artist’s homeland, in the city of Sulaymaniyah, thus also making this a significant event for Hiwa himself. Both projects are being implemented as local productions, but we are also considering opportunities to introduce local communities to each other and to learn, for example, how the climate crisis affects these places and how to mitigate and prepare for it,”

Toppila continues.

The artists of IHME Helsinki Commissions are selected by the IHME Helsinki Advisory Board, which, at the time of Hiwa K’s selection, included, besides Toppila in the chair, Professor Ute Meta Bauer (Nanyang Technological University, Singapore), researcher and artist Antti Majava (BIOS research unit, Helsinki), Professor Jussi Parikka (Aarhus University, Denmark) and Dean Hanna Johansson (Uniarts Helsinki’s Academy of Fine Arts). In June 2022, Hanna Johansson’s term ended and Senior Researcher Hanna Guttorm (University of Helsinki) was invited to replace her.

Open rehearsals of Chicago Boys – While We Were Singing, They Were Dreaming happen each Saturday during 22.4. – 27.5.2023 in various public places around (Eastern) Helsinki. The exact locations and times of the rehearsals will be updated on this page, as well as on our Events-page and Facebook-page. Welcome to play music, discuss and follow the rehearsals!

Chicago Boys Events Facebook event

Press Release about IHME Helsinki Commission 2023 in Northern Sami Press Release about IHME Helsinki Commission 2023 in Arabic Press Release about IHME Helsinki Commission 2023 in Persian / Farsi Press Release about IHME Helsinki Commission 2023 in Kurdish

Hiwa K

Chicago Boys Slemani

Chicago Boys Helsinki Band Members:
Hannu Aaltonen, Shadan Ahmad, Aman Askarizad, Amin Babadi, Gustaf Svennungsson, Krismeh Kakehli, Paavo Karppinen, Iiris Lappalainen, Timjune Tianjun Lee, Mark, Sini Mononen, Pentti Nissilä, Seppo Renvall, Goran Reza, Maija Saksman, Alireza Samani, Ashkan Shabnavard, Sola, Paula Toppila, Viljami Valldén

IHME Helsinki team:
Aman Askarizad, Heta Heikkala, Anna Hämäläinen, Saara Korpela, Saara Moisio, Paula Toppila, Viljami Valldén

Collaborators:
Kulttuurikeskus Stoa
Sanna Nuutinen and Hanna Westerholm

Lapinlahden Lähde
Jaana Järvinen, Katja Liuksiala, Nonni Mäkikärki and Ville Pellinen

Puotinharjun Puhos
Maria von Flittner

Riistavuori
Marja Keränen, Hanna Rinne, Sanni Seppo and Riika Vilkko

Riistavuoren seniorikeskus
Jukka Raitio

Stansvik
Maija Wilskman

Metsäryhmä
Ida Korhonen

Save Matokallio Movement
Tiina Autti, Marjaana Paju, Jaana Patrakka and Anne Toppila

Consultation:
Binna Choi / Casco Art Institute, Egija Inzule / Nida Art Colony, Matti Lassila / Ministry of Foreign Affairs, Minna Rehn / City of Helsinki

Specialists and panelists:
Hossam Hewidy / Aalto University, Juhana Hurula / DIY Helsinki,  Varpu Mikola / Nomaji Landscape Architects, Sara Zaman / University of Helsinki

University of Helsinki Students:
Julia Heikari, Toivo Hursti, Kia Korolainen, Saara Leppänen, Hilla Männikkö, Janni Perttunen, Hilla Petäjä, Alisa Simonen, Helmi Tolonen,
Saara Valtonen

Job’d Youth Workers:
Sherko Abbas, Sumeya Abdi, Yahye Abdulkadir, Aasiya Abdulle, Hussein Ali, Naima AliAbdi, Esther Arial, Sundus Hussein, Mubashar Jama, Ali Mode, Murshid Murshid, Mariam Sultani, Julia Tillaeus

Documentation:
Tamara Aalto, Sam Boateng / Boagraphy, Suvi-Tuuli Kankaanpää, Samy Kramer / Kramer Productions, Katri Lehtola, Elina Manninen, Tomi Tähti,

Graphic Design:
Marjo Malin

Catering:
Tutu Jauhojärvi

Instrument Rental:
Lauri Koski / Backline Rental

Translations:
Mike Garner, Yasmin Ibrahim and Kania Khalili

Advisory Board:
Hanna Guttorm, Antti Majava, Ute Meta Bauer, Jussi Parikka, Paula Toppila (chair)

Pro Arte Foundation Finland Board:
Kalle Hamm, Max Mickelsson, Lauri Paloheimo, Marja Ramm-Schmidt (chair), Marja Sakari, Hanna Snellman

Funding:
Saastamoinen Foundation, Kone Foundatio, Abakanowicz Arts and Culture Charitable Foundation